First doctor visit with Medicare for me. My brother and I went together. He's been on Medicare for years. Our Medicare reports came same day. There is a $47 charge for both of us for 15 minutes worth of depression screening. My brother has Alzheimer's disease, is nonresponsive, so screening did not happen. I am completely responsive, and I didn't get 15 mins. screening either. Neither one of us is on depression medication, so screening shouldn't be a proforma billing opportunity anyway.
Except - yeah - who reads a Medicare billing report?
Medical now bills like legal, in 15 min. increments? $188/hour for depression? Please don't tell my therapist this.
I went into the office, copies were made. Explanations were given. We didn't do this here. It's the system. You'll have to discuss this with Medicare. The biller is out to lunch. The biller will call you. When I hadn't gotten a call by Friday, I went in again.
Copies made right away. Notes taken. Date of birth(s), phone number. Explanations commenced. The biller is out to lunch. This invoice comes from headquarters. We can't do anything about this here. You'll have to take it up with Medicare, with HQ. Different person, same script.
It's the system.
"So your system is AI, is it?
"Sorry?"
"No human entered this code from here."
"Well, not really."
"The system did it."
Nod. "We can't fix it here."
"Because the system."
Nod. "Can only be fixed after the fact. And not here."
Blank stare.
Face transforms to sympathetic aspect. Shrug. "It happens."
"Yes, to millions of us."
"Well. Not here."
Sunday, October 16, 2016
Monday, October 10, 2016
RJ Spangler Trio with Larry Smith
The RJ Spangler Trio featuring Larry Smith performed the first of four concerts in a 2nd Sunday jazz series yesterday at our Salem-South Lyon District Library. The sessions are sponsored by the Jazz Foundation of America, and the Metro Detroit Book & Author Society 2016 James Dance Performance Grant. You'll have a chance to see them perform again in Dec., Feb., and April.
L to R: Oliver Nevels, guitar; Larry Smith, alto sax; Greg Cook on bass; RJ Spangler, drums. Listeners were treated to standards from the jazz book, beginning with Body and Soul, 1930 music by Johnny Green, lyrics by Edward Heyman, Robert Sour and Frank Eyton.
The audience asked for Take Five composed by Paul Desmond, debuted with the Dave Brubeck Quartet on their 1959 album, Time Out. Take Five had a piano lead for Brubeck - we heard a George Benson arrangement featuring Oliver Nevels on guitar.
Take the A Train, composed by Duke Ellington. RJ shared the backstory on this classic: Billy Strayhorn had been sending compositions, arrangements to Ellington. The Duke finally told him he probably needed to join the Ellington organization. How to get there? The rest is superb jazz music history.
We heard Larry Smith's long rich music background, told by RJ, and - just so we didn't think it was myth - confirmed by Downbeat magazine. Larry went to high school with Henry Mancini! In Pittsburgh, he played with a George Benson R&B group. Benson noticed Smith wasn't playing the R&B grooves. What do you call what you're playing? Smith took him to a place with a jukebox, put a dime in the slot and Benson asked "who we listening to?" Smith responded, "Bird." "What's a bird?" And once more, the rest is jazz music history.
After the concert I asked Larry Smith what maker built his horn. Bundy Selmer. He told us how saxophones used to be made of a combination of silver, brass and gold; offering a rich tonal resonance he doesn't hear in the new brass horns. My Dad's tenor saxophone is a Herb Couf instrument, and it still breathes music in the hands of Tony Lustig in NYC. Larry also talked about always having that special reed on hand, along with backup.
The concert closed with Watch What Happens, composed by Michel leGrand; a song that gives me goosebumps every time I hear it. Known for his movie scores (The Umbrellas of Cherbourg, The Thomas Crown Affair) leGrand wrote just as eloquently in jazz. Still composing, still musically strong, his 85 Concerts for My 85th Birthday World Tour is getting underway. Concert dates will be released by the end of this month 2016.
I'm missing one of the tunes because I got lost in hearing my Dad play his tenor in my mind, the background music to my whole life. When I was little, I went with him to rehearsals, usually in somebody's basement. I knew the words to Deep Purple, Little White Lie, and Darn That Dream before I was six. My father is second from the left, saxes. At the piano is Joe Fredal, our family's future dentist.
One of the days I was remembering yesterday afternoon. Dad on that gorgeous Herb Couf tenor, me on my Great Aunt Suoma's little organ. He's using a jazz mouthpiece! I didn't remember he even owned one of those. For my medicine bag when I was fighting cancer, I asked loved ones to contribute a powerful talisman to kick that mess. My father gave me a saxophone reed. One more beautiful example of the healing power of music, and the importance of always having that special reed on hand. And a backup.
L to R: Oliver Nevels, guitar; Larry Smith, alto sax; Greg Cook on bass; RJ Spangler, drums. Listeners were treated to standards from the jazz book, beginning with Body and Soul, 1930 music by Johnny Green, lyrics by Edward Heyman, Robert Sour and Frank Eyton.
The audience asked for Take Five composed by Paul Desmond, debuted with the Dave Brubeck Quartet on their 1959 album, Time Out. Take Five had a piano lead for Brubeck - we heard a George Benson arrangement featuring Oliver Nevels on guitar.
Take the A Train, composed by Duke Ellington. RJ shared the backstory on this classic: Billy Strayhorn had been sending compositions, arrangements to Ellington. The Duke finally told him he probably needed to join the Ellington organization. How to get there? The rest is superb jazz music history.
After the concert I asked Larry Smith what maker built his horn. Bundy Selmer. He told us how saxophones used to be made of a combination of silver, brass and gold; offering a rich tonal resonance he doesn't hear in the new brass horns. My Dad's tenor saxophone is a Herb Couf instrument, and it still breathes music in the hands of Tony Lustig in NYC. Larry also talked about always having that special reed on hand, along with backup.
The concert closed with Watch What Happens, composed by Michel leGrand; a song that gives me goosebumps every time I hear it. Known for his movie scores (The Umbrellas of Cherbourg, The Thomas Crown Affair) leGrand wrote just as eloquently in jazz. Still composing, still musically strong, his 85 Concerts for My 85th Birthday World Tour is getting underway. Concert dates will be released by the end of this month 2016.
I'm missing one of the tunes because I got lost in hearing my Dad play his tenor in my mind, the background music to my whole life. When I was little, I went with him to rehearsals, usually in somebody's basement. I knew the words to Deep Purple, Little White Lie, and Darn That Dream before I was six. My father is second from the left, saxes. At the piano is Joe Fredal, our family's future dentist.
One of the days I was remembering yesterday afternoon. Dad on that gorgeous Herb Couf tenor, me on my Great Aunt Suoma's little organ. He's using a jazz mouthpiece! I didn't remember he even owned one of those. For my medicine bag when I was fighting cancer, I asked loved ones to contribute a powerful talisman to kick that mess. My father gave me a saxophone reed. One more beautiful example of the healing power of music, and the importance of always having that special reed on hand. And a backup.
Saturday, October 8, 2016
Dollhouse Art Studio Installed
Set the art studio components in the 3rd floor office of my dollhouse today. The ladders are handpainted. I used a piece of 2x3 luan plywood I saved from when I made miniature diaramas; sawed it to fit the ladders. The art framed in the stack of frames is a copy of a big oil painting I did years ago.
A small bag of mini-tiles I've never used finally got use as the top of the work table. Craft sticks stained with furniture repair markers finished it.
Tinted glue made a jar of used water. Nice that it matches the corner tiles! The actual watercolor color was French Ultramarine, but the glue whitened that. I made the rolls of tape and paper towels. The ceramic art jars are made by Shari at Miniature Maker Supply. The brushes are made by Taylor Jade.
The paint tubes I made from Sculpey clay with labels signed by me. Would have used white clay if I had some. The shoulder of the tubes are half a crimp, the caps are clay painted black.
Next time - if there is a next time - I'll use the metal from the neck of a bottle of wine. The metal would look good for oil paint tubes. Saw that idea on the internet. Bonus: I'll have a bottle of wine in the house!
Holiday time is coming up! I'll be decorating the front of the dollhouse for Thanksgiving. For Christmas dollhouse tree decorations, a Christmas cactus and a poinsettia I made, have a peek at my etsy shop.
A small bag of mini-tiles I've never used finally got use as the top of the work table. Craft sticks stained with furniture repair markers finished it.
Tinted glue made a jar of used water. Nice that it matches the corner tiles! The actual watercolor color was French Ultramarine, but the glue whitened that. I made the rolls of tape and paper towels. The ceramic art jars are made by Shari at Miniature Maker Supply. The brushes are made by Taylor Jade.
The paint tubes I made from Sculpey clay with labels signed by me. Would have used white clay if I had some. The shoulder of the tubes are half a crimp, the caps are clay painted black.
Next time - if there is a next time - I'll use the metal from the neck of a bottle of wine. The metal would look good for oil paint tubes. Saw that idea on the internet. Bonus: I'll have a bottle of wine in the house!
Holiday time is coming up! I'll be decorating the front of the dollhouse for Thanksgiving. For Christmas dollhouse tree decorations, a Christmas cactus and a poinsettia I made, have a peek at my etsy shop.
Tuesday, October 4, 2016
Dollhouse Art Studio Under Construction
Halloween dollhouse decorating inspired me to add some more art. I have a greenhouse still in the box for 10 years, but I'm not ready to designate it as a studio. Yet. Bought a paint-spattered step ladder for too much money, then found a
cheap supplier of unfinished step ladders. My paint job is shown here.
Wrote a note to Shari from Miniature Makers Supply
for my first needs: 2 paintbrush jars in glaze colors of her choice, (she chose Lilac and Celery)
and 2 water jars, one for used water (this will be accomplished with
tinted glue) and one for clean water. She created a custom order for me.
Love her and her shop! My sloppy paint rags are in the picture, and the
pliers hold a glued tube which will be a roll of paper towels.
I have an easel, a brush and some blank canvas in my dollhouse office, so I'll begin by adding to that space. I'm going to make my own paint tubes. We'll see how that goes. A 6 inch watercolor tube will be only 1/2 inch! Still haven't found a decent box to hold it all, but maybe I won't need it. My work station will be 2 ladders with a piece of basswood on top. If I make use of the greenhouse, I can spread out later.
These are ceramic dishes glazed and signed by Shari at Miniature Makers Supply. She has a section in her shop for Oops! - cases when the glaze goes walkabout. Love those one of a kinds! I appreciate her palette, and craftswomenship. And I love that she creates and works in Michigan. It's always my goal to support Michigan artisans in whatever way I can, and especially women artists. We need all the sales we can get!
Now I'm envisioning a "Sidewalk Closed During Construction" banner at the front of the dollhouse. Creative chaos!
I have an easel, a brush and some blank canvas in my dollhouse office, so I'll begin by adding to that space. I'm going to make my own paint tubes. We'll see how that goes. A 6 inch watercolor tube will be only 1/2 inch! Still haven't found a decent box to hold it all, but maybe I won't need it. My work station will be 2 ladders with a piece of basswood on top. If I make use of the greenhouse, I can spread out later.
These are ceramic dishes glazed and signed by Shari at Miniature Makers Supply. She has a section in her shop for Oops! - cases when the glaze goes walkabout. Love those one of a kinds! I appreciate her palette, and craftswomenship. And I love that she creates and works in Michigan. It's always my goal to support Michigan artisans in whatever way I can, and especially women artists. We need all the sales we can get!
Now I'm envisioning a "Sidewalk Closed During Construction" banner at the front of the dollhouse. Creative chaos!
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